ARTS PEDAGOGIES

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Discipline-Specific Articles

Here are a few resources to help you look at academic papers written within a specific arts discipline and pedagogy, for you to generate new research ideas, and to examine the field in greater depth.

There are from various academic journals with much more extensive literatures around the subject, so this serves as a useful starting point.


ARTS ADVOCACY/ AESTHETIC EDUCATION (GENERAL)

Abell, C. (2011). Art: What it Is and Why it Matters. Philosophy And Phenomenological Research85(3), 671-691. doi: 10.1111/j.1933-1592.2011.00498.x

Carpenter, N. (1985). The Case for Advocacy: Building Support for the Arts in Education. Design For Arts In Education87(2), 24-27. doi: 10.1080/07320973.1985.9940185

Greene, M. (1977). The Artistic. Aesthetic and Curriculum. Curriculum Inquiry6(4), 283. doi: 10.2307/1179650

Kjeldsen, J. (2001). What Can the Aesthetic Movement Tell Us about Aesthetic Education?. Journal Of Aesthetic Education35(1), 85. doi: 10.2307/3333773

Lipman, S. (1987). The Great Why of Arts Education. Design For Arts In Education88(3), 20-24. doi: 10.1080/07320973.1987.9935466

MacGregor, N. (1986). Aesthetic Education and Current Trends Affecting Arts Education. Journal Of Aesthetic Education20(4), 83. doi: 10.2307/3332606

Miksza, P. (2013). Arts Education Advocacy: The Relative Effects of School-Level Influences on Resources for Arts Education. Arts Education Policy Review114(1), 25-32. doi: 10.1080/10632913.2013.744245

Miles, M., & Rainbird, S. (2014). Evaluating interdisciplinary collaborative learning and assessment in the creative arts and humanities. Arts And Humanities In Higher Education14(4), 409-425. doi: 10.1177/1474022214561759

Plato. (2002). Of What Value Is Arts Education?. Arts Education Policy Review104(2), 25-29. doi: 10.1080/10632910209606000

Sabol, F. (2013). Seismic Shifts in the Education Landscape: What Do They Mean for Arts Education and Arts Education Policy?. Arts Education Policy Review114(1), 33-45. doi: 10.1080/10632913.2013.744250

Zhihong Li, Yanhui Wang, & Fanjun Meng. (2018). Aesthetic Cognitive Module Theory: A Core Structure. The Journal Of Aesthetic Education52(2), 71. doi: 10.5406/jaesteduc.52.2.0071



DANCE

Biasutti, M. (2013). Improvisation in dance education: teacher views. Research In Dance Education14(2), 120-140. doi: 10.1080/14647893.2012.761193

Connell, J. (2009). Dance education: an examination of practitioners’ perceptions in secondary schools and the necessity for teachers skilled in the pedagogy and content of dance. Research In Dance Education10(2), 115-130. doi: 10.1080/14647890903019440

Green, J. (1999). Somatic Authority and the Myth of the Ideal Body in Dance Education. Dance Research Journal31(2), 80. doi: 10.2307/1478333

Green, J. (2002). Somatic Knowledge: The Body as Content and Methodology in Dance Education. Journal Of Dance Education2(4), 114-118. doi: 10.1080/15290824.2002.10387219

Hanna, J. (2008). A Nonverbal Language for Imagining and Learning: Dance Education in K–12 Curriculum. Educational Researcher37(8), 491-506. doi: 10.3102/0013189×08326032

Leijen, Ä., Lam, I., Wildschut, L., Robert-Jan Simons, P., & Admiraal, W. (2009). Streaming video to enhance students’ reflection in dance education. Computers & Education52(1), 169-176. doi: 10.1016/j.compedu.2008.07.010

Matt, P. (2003). “Critical Thinking” in Dance Science Education. Journal Of Dance Education3(4), 121-130. doi: 10.1080/15290824.2003.10387245

Prevots, N. (2009). Action Research and Dance Education. Journal Of Dance Education9(2), 39-40. doi: 10.1080/15290824.2009.10387384


DRAMA/THEATRE

 

Even, S. (2008). Moving in(to) Imaginary Worlds: Drama Pedagogy for Foreign Language Teaching and Learning. Die Unterrichtspraxis/Teaching German41(2), 161-170. doi: 10.1111/j.1756-1221.2008.00021.x

Forough, M. (1968). Theatre Education in Iran. Educational Theatre Journal20(2), 305. doi: 10.2307/3205063

Franks, A. (2008). School drama and representations of war and terror – some theoretical approaches to understanding learning in drama in troubled times1. Research In Drama Education: The Journal Of Applied Theatre And Performance13(1), 23-37. doi: 10.1080/13569780701825211

Gallagher, K. (2016). The social habitus of drama: the Ontario drama curriculum in theory and practice. Research In Drama Education: The Journal Of Applied Theatre And Performance21(1), 20-36. doi: 10.1080/13569783.2015.1126172

Hennessy, L. (2016). A secondary school drama teacher’s experience of drama in the curriculum in 2015. Research In Drama Education: The Journal Of Applied Theatre And Performance21(1), 78-89. doi: 10.1080/13569783.2015.1127141

Nakagawa, R. (1968). Theatre Education in Japan. Educational Theatre Journal20(2), 302. doi: 10.2307/3205061

O’Toole, J. (2002). Drama: The Productive Pedagogy. Melbourne Studies In Education43(2), 39-52. doi: 10.1080/17508480209556401

Rasmussen, B. (2010). The ‘good enough’ drama: reinterpreting constructivist aesthetics and epistemology in drama education. Research In Drama Education: The Journal Of Applied Theatre And Performance15(4), 529-546. doi: 10.1080/13569783.2010.512187


VISUAL ART AND FASHION

Art Education: Creating a Visual Arts Research Agenda toward the 21st Century: A Final Report: 1994. (1994). Art Education47(4), 29. doi: 10.2307/3193487

Duncum, P. (2001). Visual Culture: Developments, Definitions, and Directions for Art Education. Studies In Art Education42(2), 101. doi: 10.2307/1321027

Hartjen, L. (2012). Art and Transformation: Embodied Action in a First-Grade Art Class. Art Education65(6), 12-17. doi: 10.1080/00043125.2012.11519195

Holt, D. (1983). Aesthetic Education, Research, and Visual Perception. Art Education36(3), 28. doi: 10.2307/3192698

Jackson, T. (2012). Introducing Charly Palmer: Tar Baby and Culturally Responsive Teaching. Art Education65(6), 6-11. doi: 10.1080/00043125.2012.11519194

Oh, K. (2017). Integrating Creative Problem Solving into the Field of Fashion Education. Fashion, Industry And Education15(1), 59-65. doi: 10.7741/fie.2017.15.1.059

Ulbricht, J. (1998). Interdisciplinary Art Education Reconsidered. Art Education51(4), 13. doi: 10.2307/3193705

Zimmerman, E. (2009). Reconceptualizing the Role of Creativity in Art Education Theory and Practice. Studies In Art Education50(4), 382-399. doi: 10.1080/00393541.2009.11518783


MUSIC

Abrahams, F. (2005). Transforming Classroom Music Instruction with Ideas from Critical Pedagogy. Music Educators Journal92(1), 62-67. doi: 10.2307/3400229

Campbell, P. (2003). Ethnomusicology and Music Education: Crossroads for knowing music, education, and culture. Research Studies In Music Education21(1), 16-30. doi: 10.1177/1321103×030210010201

Collins, A. (2013). Neuroscience meets music education: Exploring the implications of neural processing models on music education practice. International Journal Of Music Education31(2), 217-231. doi: 10.1177/0255761413483081

Espeland, M. (2010). Dichotomies in music education – real or unreal?. Music Education Research12(2), 129-139. doi: 10.1080/14613808.2010.481823

Guided Exploration from Small to Large: Music Theory Pedagogy as Re-discovery. (2016). College Music Symposium56. doi: 10.18177/sym.2016.56.ca.11211

Hauge, T. (2012). Rhythmic music pedagogy: A Scandinavian approach to music education. Journal Of Pedagogy And Psychology “Signum Temporis”5(1). doi: 10.2478/v10195-011-0049-y

Koopman, C. (2007). Community music as music education: on the educational potential of community music. International Journal Of Music Education25(2), 151-163. doi: 10.1177/0255761407079951

Lively, M. (2015). Critical Thinking and the Pedagogy of Music Theory. Inquiry: Critical Thinking Across The Disciplines30(3), 59-68. doi: 10.5840/inquiryct201530318

 


FILM/ SCREEN

Bachmann, A., & Zahn, M. (2018). Film education as a multiplicity of practices: A media-ecological perspective. Film Education Journal1(1), 78-89. doi: 10.18546/fej.01.1.07

Holmes, R. (2007). East is East: using film to disrupt university classroom narratives around childhood and identity. Pedagogy, Culture & Society15(3), 367-384. doi: 10.1080/14681360701602273

Hook, G. (2012). Towards a Decolonising Pedagogy: Understanding Australian Indigenous Studies through Critical Whiteness Theory and Film Pedagogy. The Australian Journal Of Indigenous Education41(02), 110-119. doi: 10.1017/jie.2012.27

Metz, W. (2003). From the Frankfurt school to film school: theorizing cinema pedagogy. Review Of Communication3(4), 455-458. doi: 10.1080/1535859032000106435

Ngidi, N., & Dlamini, M. (2017). Challenging heteronormative scripts through film and transformative pedagogy among TVET college students. South African Journal Of Higher Education31(4). doi: 10.20853/31-4-977

Park Ki Beom. (2010). A Critical Investigation of the Film Education in the 2007 Revised Curricular Middle School Korean Textbooks for the First Grade. Journal Of Cheongram Korean Language Educationnull(42), 7-38. doi: 10.26589/jockle..42.201012.7

Raw, L. (2009). Towards a pedagogy for teaching adaptations. Journal Of Adaptation In Film & Performance2(3), 223-237. doi: 10.1386/jafp.2.3.223/1

Reid, M. (2018). Film education in Europe: National cultures or European identity?. Film Education Journal1(1), 5-15. doi: 10.18546/fej.01.1.02

황보성진. (2013). A study of Film Education Curriculum Need based on Integrated Arts Education and STEAM. Film Studiesnull(55), 691-720. doi: 10.17947/kfa..55.201303.024


MUSEUM

Curran, E. (1995). Discovering the History of Museum Education. Journal Of Museum Education20(2), 5-6. doi: 10.1080/10598650.1995.11510290

Finnerty, K. (1996). Introduction to a Museum School: The Museum Process as Pedagogy. Journal Of Museum Education21(1), 6-10. doi: 10.1080/10598650.1996.11510311

Nolan, T. (2009). The Museum Educator Crisis. Journal Of Museum Education34(2), 117-121. doi: 10.1080/10598650.2009.11510624

Prottas, N. (2017). Does Museum Education Have a Canon?. Journal Of Museum Education42(3), 195-201. doi: 10.1080/10598650.2017.1343018

Weisberg, S. (2011). Moving Museum Experiences. Journal Of Museum Education36(2), 199-208. doi: 10.1179/jme.2011.36.2.199

Wilson, K. (1999). Crafting Community-Based Museum Experiences: Process, Pedagogy; and Performance. Journal Of Museum Education24(3), 3-6. doi: 10.1080/10598650.1999.11510403

Witcomb, A. (2013). Understanding the role of affect in producing a critical pedagogy for history museums. Museum Management And Curatorship28(3), 255-271. doi: 10.1080/09647775.2013.807998

Worts, D. (2006). Measuring Museum Meaning: A Critical Assessment Framework. Journal Of Museum Education31(1), 41-49. doi: 10.1179/jme.2006.31.1.41